The Analog Way processing solution is capable of working with a multitude of different sources, scaling any source type to any size on the LED display. This offers SNA and the screen’s tenant incredible flexibility and security since they are not tied to a single source device or format.
“We can put a 4K source in the middle of the screen and surround it with traditional HD feeds and we’ll get pixel-perfect, clear imagery with the processors,” says Pat Green, Senior Director of Systems at SNA Displays. “That capability will likely help the owner land high-profile tenants for screen content. Who knows what the display will eventually be used for, but it’s clear that this screen is the only one in Times Square that can handle many of the modern demands of high-resolution TV and sports broadcasting.
“Analog Way processors are a very stable product line with no software set or drivers to fail,” he adds. “We view the processors as infrastructure, the hub of all the activity, and we like the heart of our system to be very stable and reliable with a low failure rate.”
Analog Way’s NeXtage 16 - 4K, a 4K AV processor based on the LiveCore™ platform, provides 4K previewing of any input, output or the entire video canvas. Analog Way’s new RCU (Rackmount Control Unit), a controller for large-scale displays, makes its second high-profile appearance here following its implementation this summer at the revamped Wynn Las Vegas Race & Sports Book.
“We actually designed the RCU around this project,” says Analog Way’s Director of Business Development, Brian Macauto. “We typically use our chassis to drive 4-8 outputs. But this LED display required 16 discrete outputs to create an 8K video canvas. So we developed the RCU master controller to unleash all the horsepower behind Ascender. It takes our awesome scaling core technology and adds a meta layer of master control across multiple chassis.”